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bv? MUSEUM" VAN: AZIATISCHE KUNST = DER VEREENIGING VAN, VAIENDEN. DER ÄFIATISCHE KUNST STEDELIK. MUSEUM — AMSTERDAM. pmservtar HF. E. VISSER Sth Jan.1937 of. Dr; B. Karlgren stasiatiska Samlingarna Sveavägen 65 Stockholm. f isa Dear Professor Karlgren, Thank you-so very much for your kind letter of 16th Sänoagy "and for fe photo oi the small Huai tiger, which was sent to me by your Secretäry on 2...
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bv? MUSEUM" VAN: AZIATISCHE KUNST = DER VEREENIGING VAN, VAIENDEN. DER ÄFIATISCHE KUNST STEDELIK. MUSEUM — AMSTERDAM. pmservtar HF. E. VISSER Sth Jan.1937 of. Dr; B. Karlgren stasiatiska Samlingarna Sveavägen 65 Stockholm. f isa Dear Professor Karlgren, Thank you-so very much for your kind letter of 16th Sänoagy "and for fe photo oi the small Huai tiger, which was sent to me by your Secretäry on 22nd January. ooo Within a few days I shell send you our publica- tions, mentioned in the beginning of your letter. big 3 It is with the greatest pleasure that I will pro- vide you with a skdn documentation regarding bronzes in this country and in two Dutch collections abroad. I shall take good notice of the list you gave me, It will take some weeks or per- haps some months to assemble all I should like to send you, It is certainly no trouble to me to do so and I should like to em- phasize that it is even with the greatest fr oaaugs that I will set to work. As a matter of fact, I have the greatest admiration for what you have done for the study of early Chinese bronzes. Everybody should Help you in your further RS by sen- ding you every possible detail concerning this matter. ; I have appreciated so very much your kind, geste" in the small Hfuai tiger matter. I found that Prof. Andersson al- ready in your M.F.E.A4. Bulletin N? 6, p. 136 ( "The importance of this vessel lies..eto." ) has explained må White's vessel Ne 252 is 80 ortant. On the cover of the Bulletin is printed Stockhom 1984, inside, after the printer's name 1935. It is now quite possible, that Prof. Andersson wrote about the extremely important fact that gold and silver inlay in the so called Hen was combined with Huei decoration in one and the same ves- sel, at the sane tine as I did so, Therefore I certainly will not elain 2 priority and, when writing about this matter GR that a Sa ersson and the undersigned, independently, noticed this point. z Do pr think it still right that I publish the tiger before you ? I am quite AR to renounce. I leave it to 2 to decide. Of course, the matter "an sich" is more important han who first 20prodnocn this tiger. Besides, White's vessel is more åmportant, tl SR the design of the inlay on the tiger is superior to that of White's vessel.
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Tänhow OVER 6 I should like very much to know your opinion on the ko of Kämnel 's Museum, which I reproduced in our M&andblad of September 1929 ( VI, 9) Då 294. Dö not you think that this piece is cer...
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Tänhow OVER 6 I should like very much to know your opinion on the ko of Kämnel 's Museum, which I reproduced in our M&andblad of September 1929 ( VI, 9) Då 294. Dö not you think that this piece is certainly & preg-Mir ale Chou bronze ( a Yin —- Chou — . Piece,T later than Yin ? )? The” highly interesting point in it is, in my opinion, that we find scale bands on it, not scales we are accustomed to see in so many Yin or Yin-Chou pie- ces. pr re, Is it Nine that this detail is the prototype of the scale bands in Middle Chou bronzes ? Do you know more early pieces —- bronzes before the Middle Chou style > that have bands of scales, though not exactly the same scales as in Middle Chou. Of course, the scales in the piece just mentioned, are different from the Middle Chou scales. With kindest regards, I remain, dear Professor Karlgren, oe yours very sincerely, AR sä ra
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